Sched.com Conference Mobile Apps
Art of Record Production 2019
has ended
Create Your Own Event
Art of Record Production 2019
-
Saved To
My Schedule
Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
Schedule
Simple
Expanded
Grid
By Venue
Map
Speakers
Sponsors
Attendees
Search
or browse by date + venue
Collaboration Stream
All
Paper
Connectivity Stream
All
Paper
Controllers Stream
All
Paper
Creation Stream
All
Paper
Presentation
Plenary Session
All
Keynote
Panel
Registration/Breaks/Food/Concerts
All
Food and drink
Tour
Popular
Sign up
or
log in
to bookmark your favorites and sync them to your phone or calendar.
menu
Menu
Schedule
Speakers
Sponsors
Attendees
Search
tune
Filter sessions
Simple
Expanded
Grid
By Venue
Map
Friday
, May 17
Classroom 311 (3rd floor)
10:00 •
The Producer’s Vision: Creation, Form and Function
10:30 •
What You Hear is What You Hear: Contemporary Pop Music as Minimalism
11:00 •
Lo-fi as Effect: High Tech Affordances for Bad Sound
11:30 •
It's all about the Kick: The Aesthetics of the 1980's pop kick
14:30 •
The Producer as Educator
15:00 •
Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource
15:30 •
The Production of Record Art: Theorizing the Album Cover
16:30 •
Performance music or Production Music?
17:00 •
When is the music speaking to us? A proposed model for analyzing choices in studio practice
17:30 •
Producers and Computational Technology: Decisions, Recommendations and Production Intelligence
Classroom 411 (4th floor)
10:00 •
How to turn a lacklustre performance into one that sparkles. The varied and manifold engagements of recording producers
10:30 •
Disruptive Creativity: a review of disruptive technologies used by independent music producers to predict next-generation…
11:00 •
The sound engineer and his/ her role as subject of art [SKYPE]
11:30 •
OPEN
14:30 •
Reissuing Creativity or Creative Reissues?
15:00 •
Remastering Myself (Collaboration)
15:30 •
In C#: Devising Research-Creation Projects in Record Production [SKYPE]
16:30 •
Music reconfigured (Hangout/Skype)
17:00 •
Domestic intimate space in recorded music
17:30 •
Rebecoming Analogue: Sampling as Virtual Collaboration
Classroom 511 (5th floor)
10:00 •
The urge to “clean up” the rap: Rhythm and plasticity in rap music
10:30 •
From Nothing to Multitrack Recording in The Dominican Republic
11:00 •
Unintended Obsolecense: Reviving dead tech in Vaporwave production
11:30 •
Open
14:30 •
AI, Neural Nets and Next Generation Production Tools
15:00 •
Algorithmic Music Scoring: An Approach to Automated Composition for Audiovisuals
15:30 •
The performance of ‘Machine Aesthetics’
16:30 •
Digital Warmth:The Retro in Digital
17:00 •
Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music
17:30 •
Feedin' my controller: Re-imagining the 'phonographic' in boom-bap rap
The Berklee Caf
12:00 •
Lunch
The Red Room
08:30 •
Coffee and registration
09:30 •
Welcome
13:00 •
ARP Announcements
13:15 •
A pedagogy for Hip-Hop production
16:00 •
Break - Refreshments
www.dillonsboston.com
18:00 •
Drinks/Free Time in Boston
Saturday
, May 18
Classroom 311 (3rd floor)
10:00 •
Forged by design? - The control of a genre expected sonic signifier on collaborative creation practices within modern heavy metal
10:30 •
Innovation and Tradition in Metal Music Production
11:00 •
Gendered Cotextuality in Heavy Metal Songs/Videos: The Role of the Female Guest Artist
11:30 •
Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings
17:00 •
Lost Recordings, "Recording" and Modernity as Marketing in the Jazz Age [SKYPE] (moderator - Steve D’Agostino)
17:30 •
The Mother Of Invention: Creative Commitment As A Reaction To Financial And Technological Uncertainty
18:00 •
The economic and environmental cost of recorded music
Classroom 411 (4th floor)
10:00 •
Leadership and Motivational Styles of Master Producers
10:30 •
Searching for Sophia in Music Production Education
11:00 •
Izotope Demo - New Technology in Live Performance
11:30 •
Izotope Demo, cont.
17:00 •
Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration
17:30 •
Cue-mix, collaboration and the collective performance
18:00 •
Transnational Flow: Experiments in Long Distance Non-Synchronous Networked Collaboration
Classroom 511 (5th floor)
10:00 •
Music Mind Map – a creative tool for music production
10:30 •
Nonlinear Mixing
11:00 •
Conduits of Creation: The Role of the Synthesizer in Brian Eno’s Discreet Music
11:30 •
The Controller as an Agent of Unpredictability: Electronic Music, 60’s Counterculture, and the Early Live Sound Industry
17:00 •
Immersed in Pop: Rethinking Directionality in Popular Music for a Post-Stereo World
17:30 •
THE MUSIC ROOM: Considerations and negotiations in the staging of a 3D immersive music experience
18:00 •
3D Audio for Music: An investigation into 3D sound staging and creative production for binaural reproduction
David Friend Recital Hall
12:00 •
Keynote - In Conversation with Ann Mincieli
14:00 •
Drop-ins and multiple takes: ASARP members’ updates
LIMITED
14:15 •
Women Produce Music: THEN and NOW
15:30 •
Ableton Demo
16:30 •
Break - Refreshments
The Berklee Caf
13:00 •
Lunch
19:00 •
Evening performance and dinner
The Red Room
09:00 •
Coffee and registration
12:00 •
Tour of Berklee studios and electronic music lab
LIMITED
14:00 •
Tour of Berklee studios and electronic music lab
FULL
15:30 •
Tour of Berklee studios and electronic music lab
FILLING
Sunday
, May 19
Classroom 311 (3rd floor)
10:00 •
The audio technology and its influence on the rise of Colombian tropical music in the 60s and 70s…
10:30 •
The Recording Studio as an Internationalization Tool for Afro-Colombian Music: The Role of Bogota's Independent Record Labels
11:00 •
Spaces and Agents of the Record Production Process in Spain: analysis of the Vinader sound in Julio Iglesias’ first recordings…
11:30 •
“Whose line is it anyway?”: Artists, producer, and collaborative creativity in classical recording
14:15 •
Sectional Surrealism: A practice-base investigation into choir recording techniques for the independent film composer
14:45 •
An Observation of Sentence Timbre
15:15 •
Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production
Classroom 411 (4th floor)
10:00 •
Collapsing the Walls of the Recording Space - Creative Production Techniques to Enable Site-Responsive Composition
10:30 •
Analysis of piano accent and its application in Teaching
11:00 •
Network Timed Ensembles: Musical Performance and Composition in the Interconnections of Apps and Devices
11:30 •
Learning to be a ‘Tracker’: A pedagogical case study of learning collaborative music production
14:15 •
"Revolution 9": The Creation of John Lennon's Guernica
14:45 •
"You want it to sound like I don't know how to record?": negotiating conceptions of "lo-fi" authenticity in collaborative work
15:15 •
Vocal Chops and its Aesthetics
Classroom 511 (5th floor)
10:00 •
What if we didn’t need metrics and empirical data
10:30 •
Inside Out and Outside In: how should we be discussing collaborative creativity in record production?
11:00 •
Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity
11:30 •
Placing The Sound: Intertextuality in the recording of Dutch Uncles’ Big Balloon
14:15 •
Autosonic Self-quotation:exploring the benefits of sampling while retaining authorial agency
14:45 •
Sampling creativity: Copyright and the commons
15:15 •
New Music, New Wave, New Age: Genre Discourse in Laurie Anderson’s Big Science
David Friend Recital Hall
09:30 •
Coffee
13:00 •
Methodology Panel - Introduction by Albin Zak
15:45 •
Closing
The Berklee Caf
12:00 •
Lunch
Timezone
Art of Record Production 2019
America/New York
Filter By Date
Art of Record Production 2019
May 17
-
19, 2019
Friday
, May 17
Saturday
, May 18
Sunday
, May 19
Filter By Venue
921 Boylston Street, Boston, MA 02115, USA
Sort schedule by Venue
Classroom 311 (3rd floor)
Classroom 411 (4th floor)
Classroom 511 (5th floor)
David Friend Recital Hall
The Berklee Caf
The Red Room
www.dillonsboston.com
Filter By Type
Collaboration Stream
All
Paper
Connectivity Stream
All
Paper
Controllers Stream
All
Paper
Creation Stream
All
Paper
Presentation
Plenary Session
All
Keynote
Panel
Registration/Breaks/Food/Concerts
All
Food and drink
Tour
Popular
Recently Active Attendees
Toby Seay
Hans Lindetorp
Chrissy Tignor
Paul A Novotny
Stephen Ward
Joe Bennett
Zachary Bresler
ML
Matt Lejman
More →
Filter sessions
Apply filters to sessions.
close
Dates
Friday
, May 17
Saturday
, May 18
Sunday
, May 19
Venue
Classroom 311 (3rd floor)
Classroom 411 (4th floor)
Classroom 511 (5th floor)
David Friend Recital Hall
The Berklee Caf
The Red Room
www.dillonsboston.com
Session Type
Collaboration Stream
All
Paper
Connectivity Stream
All
Paper
Controllers Stream
All
Paper
Creation Stream
All
Paper
Presentation
Plenary Session
All
Keynote
Panel
Registration/Breaks/Food/Concerts
All
Food and drink
Tour
Other Filters
Popular