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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
SB

Stephen B. Ward

Mercy College
Associate Professor
United States
Websitehttps://mercy.edu/degrees-programs/bs-music-production-recording-arts
Music Producer, Historian, Synthesist, Performer, Engineer, Maker. Research interests include affordances of music technology and its impact on production, creating virtual acoustic spaces, and timbre.
Friday, May 17
 

08:30

Coffee and registration The Red RoomBerklee College of Music

09:30

Welcome The Red RoomJoe Bennett

10:30

From Nothing to Multitrack Recording in The Dominican Republic Classroom 511 (5th floor)Chrissy Tignor

11:00

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30

OPEN Classroom 411 (4th floor) Open Classroom 511 (5th floor)

12:00

Lunch The Berklee Caf

13:15

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

14:30

AI, Neural Nets and Next Generation Production Tools Classroom 511 (5th floor)Jonathan Wyner

15:00

Algorithmic Music Scoring: An Approach to Automated Composition for Audiovisuals Classroom 511 (5th floor)Alvaro Lopez

15:30

The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson

16:00

Break - Refreshments The Red Room

16:30

Digital Warmth:The Retro in Digital Classroom 511 (5th floor)Gary Bromham • David Moffat • Anne Danielsen • Gyorgy Fazekas

17:00

Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music Classroom 511 (5th floor)Mike D'Errico

17:30

Rebecoming Analogue: Sampling as Virtual Collaboration Classroom 411 (4th floor)Rowan Oliver

18:00

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

09:00

Coffee and registration The Red Room

10:00

Leadership and Motivational Styles of Master Producers Classroom 411 (4th floor)Dave Tough • Alan Shacklock

10:30

Nonlinear Mixing Classroom 511 (5th floor)Hairul Hafizi bin Hasnan

11:00

Conduits of Creation: The Role of the Synthesizer in Brian Eno’s Discreet Music Classroom 511 (5th floor)Neil O'Connor

11:30

The Controller as an Agent of Unpredictability: Electronic Music, 60’s Counterculture, and the Early Live Sound Industry Classroom 511 (5th floor)Nicholas Clark Reeder

12:00

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff

13:00

Lunch The Berklee Caf

14:15

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

15:30

Ableton Demo David Friend Recital Hall

16:30

Break - Refreshments David Friend Recital Hall

17:00

Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration Classroom 411 (4th floor)Rob Toulson • Marques Hardin

17:30

THE MUSIC ROOM: Considerations and negotiations in the staging of a 3D immersive music experience Classroom 511 (5th floor)Sara McGuinness

18:00

The economic and environmental cost of recorded music Classroom 311 (3rd floor)Matt Brennan
 
Sunday, May 19
 

10:00

Collapsing the Walls of the Recording Space - Creative Production Techniques to Enable Site-Responsive Composition Classroom 411 (4th floor)Tony Dupé What if we didn’t need metrics and empirical data Classroom 511 (5th floor)Chris Whiting

10:30

Inside Out and Outside In: how should we be discussing collaborative creativity in record production? Classroom 511 (5th floor)Simon Zagorski-Thomas

11:00

Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity Classroom 511 (5th floor)Phillip McIntyre

13:00

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams

14:15

"Revolution 9": The Creation of John Lennon's Guernica Classroom 411 (4th floor)Walter Everett Autosonic Self-quotation:exploring the benefits of sampling while retaining authorial agency Classroom 511 (5th floor)Jeff Wragg

15:15

Vocal Chops and its Aesthetics Classroom 411 (4th floor)Ragnhild Brøvig-Hanssen • Jon Marius Aareskjold Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production Classroom 311 (3rd floor)Bjørnar Sandvik