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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
avatar for Stephen Ward

Stephen Ward

Mercy College
Associate Professor and Program Director
Dobbs Ferry, NY, USA
Music Producer, Historian, Synthesist, Performer, Engineer, Maker. Research interests include affordances of music technology and its impact on production, creating virtual acoustic spaces, and timbre.
Friday, May 17
 

08:30 EDT

Coffee and registration The Red RoomBerklee College of Music

09:30 EDT

Welcome The Red RoomJoe Bennett

10:30 EDT

From Nothing to Multitrack Recording in The Dominican Republic Classroom 511 (5th floor)Chrissy Tignor

11:00 EDT

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30 EDT

OPEN Classroom 411 (4th floor) Open Classroom 511 (5th floor)

12:00 EDT

Lunch The Berklee Caf

13:15 EDT

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

14:30 EDT

AI, Neural Nets and Next Generation Production Tools Classroom 511 (5th floor)Jonathan Wyner

15:00 EDT

Algorithmic Music Scoring: An Approach to Automated Composition for Audiovisuals Classroom 511 (5th floor)Alvaro Lopez

15:30 EDT

The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson

16:00 EDT

Break - Refreshments The Red Room

16:30 EDT

Digital Warmth:The Retro in Digital Classroom 511 (5th floor)Gary Bromham • David Moffat • Anne Danielsen • Gyorgy Fazekas

17:00 EDT

Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music Classroom 511 (5th floor)Mike D'Errico

17:30 EDT

Rebecoming Analogue: Sampling as Virtual Collaboration Classroom 411 (4th floor)Rowan Oliver

18:00 EDT

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

09:00 EDT

Coffee and registration The Red Room

10:00 EDT

Leadership and Motivational Styles of Master Producers Classroom 411 (4th floor)Dave Tough • Alan Shacklock

10:30 EDT

Nonlinear Mixing Classroom 511 (5th floor)Hairul Hafizi bin Hasnan

11:00 EDT

Conduits of Creation: The Role of the Synthesizer in Brian Eno’s Discreet Music Classroom 511 (5th floor)Neil O'Connor

11:30 EDT

The Controller as an Agent of Unpredictability: Electronic Music, 60’s Counterculture, and the Early Live Sound Industry Classroom 511 (5th floor)Nicholas Clark Reeder

12:00 EDT

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff

13:00 EDT

Lunch The Berklee Caf

14:15 EDT

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

15:30 EDT

Ableton Demo David Friend Recital Hall

16:30 EDT

Break - Refreshments David Friend Recital Hall

17:00 EDT

Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration Classroom 411 (4th floor)Rob Toulson • Marques Hardin

17:30 EDT

THE MUSIC ROOM: Considerations and negotiations in the staging of a 3D immersive music experience Classroom 511 (5th floor)Sara McGuinness

18:00 EDT

The economic and environmental cost of recorded music Classroom 311 (3rd floor)Matt Brennan
 
Sunday, May 19
 

10:00 EDT

Collapsing the Walls of the Recording Space - Creative Production Techniques to Enable Site-Responsive Composition Classroom 411 (4th floor)Tony Dupé What if we didn’t need metrics and empirical data Classroom 511 (5th floor)Chris Whiting

10:30 EDT

Inside Out and Outside In: how should we be discussing collaborative creativity in record production? Classroom 511 (5th floor)Simon Zagorski-Thomas

11:00 EDT

Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity Classroom 511 (5th floor)Phillip McIntyre

13:00 EDT

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams

14:15 EDT

"Revolution 9": The Creation of John Lennon's Guernica Classroom 411 (4th floor)Walter Everett Autosonic Self-quotation:exploring the benefits of sampling while retaining authorial agency Classroom 511 (5th floor)Jeff Wragg

15:15 EDT

Vocal Chops and its Aesthetics Classroom 411 (4th floor)Ragnhild Brøvig-Hanssen • Jon Marius Aareskjold Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production Classroom 311 (3rd floor)Bjørnar Sandvik