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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
avatar for Rowan Oliver

Rowan Oliver

University of Hull
Lecturer in Music
United Kingdom
Friday, May 17
 

10:00 EDT

The urge to “clean up” the rap: Rhythm and plasticity in rap music Classroom 511 (5th floor)Kjell Andreas Oddekalv

10:30 EDT

Disruptive Creativity: a review of disruptive technologies used by independent music producers to predict next-generation… Classroom 411 (4th floor)Doug Bielmeier

11:00 EDT

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30 EDT

It's all about the Kick: The Aesthetics of the 1980's pop kick Classroom 311 (3rd floor)Phil Harding • Gary Bromham

13:15 EDT

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

15:00 EDT

Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource Classroom 311 (3rd floor)Kirk McNally • Paul Thompson

15:30 EDT

The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson
 
Saturday, May 18
 

10:30 EDT

Innovation and Tradition in Metal Music Production Classroom 311 (3rd floor)Niall Thomas

11:00 EDT

Conduits of Creation: The Role of the Synthesizer in Brian Eno’s Discreet Music Classroom 511 (5th floor)Dr Neil O Connor

13:00 EDT

Lunch The Berklee Caf

17:30 EDT

The Mother Of Invention: Creative Commitment As A Reaction To Financial And Technological Uncertainty Classroom 311 (3rd floor)Brendan Williams

18:00 EDT

The economic and environmental cost of recorded music Classroom 311 (3rd floor)Matt Brennan

19:00 EDT

Evening performance and dinner The Berklee CafBerklee College of Music
 
Sunday, May 19
 

10:30 EDT

The Recording Studio as an Internationalization Tool for Afro-Colombian Music: The Role of Bogota's Independent Record Labels Classroom 311 (3rd floor)Ons Barnat

11:30 EDT

Placing The Sound: Intertextuality in the recording of Dutch Uncles’ Big Balloon Classroom 511 (5th floor)Jamie Birkett

14:15 EDT

Autosonic Self-quotation:exploring the benefits of sampling while retaining authorial agency Classroom 511 (5th floor)Jeff Wragg

15:15 EDT

Vocal Chops and its Aesthetics Classroom 411 (4th floor)Ragnhild Brøvig-Hanssen • Jon Marius Aareskjold Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production Classroom 311 (3rd floor)Bjørnar Sandvik