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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19

Popular Events on Sunday, May 19

 

#1

Methodology Panel - Introduction by Albin Zak

#2

Inside Out and Outside In: how should we be discussing collaborative creativity in record production?

#3

Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity

#4

Lunch

#5

Vocal Chops and its Aesthetics

#6

Learning to be a ‘Tracker’: A pedagogical case study of learning collaborative music production

#7

Closing

#8

What if we didn’t need metrics and empirical data

#9

Coffee

#10

Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production

#11

"Revolution 9": The Creation of John Lennon's Guernica

#12

"You want it to sound like I don't know how to record?": negotiating conceptions of "lo-fi" authenticity in collaborative work

#13

Collapsing the Walls of the Recording Space - Creative Production Techniques to Enable Site-Responsive Composition

#14

Network Timed Ensembles: Musical Performance and Composition in the Interconnections of Apps and Devices

#15

Autosonic Self-quotation:exploring the benefits of sampling while retaining authorial agency

#16

An Observation of Sentence Timbre

#17

Sampling creativity: Copyright and the commons

#18

Placing The Sound: Intertextuality in the recording of Dutch Uncles’ Big Balloon

#19

Sectional Surrealism: A practice-base investigation into choir recording techniques for the independent film composer

#20

Analysis of piano accent and its application in Teaching

#21

The Recording Studio as an Internationalization Tool for Afro-Colombian Music: The Role of Bogota's Independent Record Labels

#22

Spaces and Agents of the Record Production Process in Spain: analysis of the Vinader sound in Julio Iglesias’ first recordings…

#23

“Whose line is it anyway?”: Artists, producer, and collaborative creativity in classical recording

#24

The audio technology and its influence on the rise of Colombian tropical music in the 60s and 70s…

#25

New Music, New Wave, New Age: Genre Discourse in Laurie Anderson’s Big Science