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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
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Popular Events on Saturday, May 18
#1
Keynote - In Conversation with Ann Mincieli
#2
Evening performance and dinner
#3
Lunch
#4
Women Produce Music: THEN and NOW
#5
Break - Refreshments
#6
Coffee and registration
#7
Ableton Demo
#8
Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration
#9
Leadership and Motivational Styles of Master Producers
#10
Immersed in Pop: Rethinking Directionality in Popular Music for a Post-Stereo World
#11
Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings
#12
THE MUSIC ROOM: Considerations and negotiations in the staging of a 3D immersive music experience
#13
The economic and environmental cost of recorded music
#14
Izotope Demo - New Technology in Live Performance
#15
Tour of Berklee studios and electronic music lab
#16
3D Audio for Music: An investigation into 3D sound staging and creative production for binaural reproduction
#17
Music Mind Map – a creative tool for music production
#18
Gendered Cotextuality in Heavy Metal Songs/Videos: The Role of the Female Guest Artist
#19
Tour of Berklee studios and electronic music lab
#20
Nonlinear Mixing
#21
Searching for Sophia in Music Production Education
#22
Conduits of Creation: The Role of the Synthesizer in Brian Eno’s Discreet Music
#23
Izotope Demo, cont.
#24
Tour of Berklee studios and electronic music lab
#25
The Mother Of Invention: Creative Commitment As A Reaction To Financial And Technological Uncertainty
#26
Cue-mix, collaboration and the collective performance
#27
Innovation and Tradition in Metal Music Production
#28
The Controller as an Agent of Unpredictability: Electronic Music, 60’s Counterculture, and the Early Live Sound Industry
#29
Drop-ins and multiple takes: ASARP members’ updates
#30
Transnational Flow: Experiments in Long Distance Non-Synchronous Networked Collaboration
#31
Forged by design? - The control of a genre expected sonic signifier on collaborative creation practices within modern heavy metal
#32
Lost Recordings, "Recording" and Modernity as Marketing in the Jazz Age [SKYPE] (moderator - Steve D’Agostino)
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Recently Active Attendees
Toby Seay
Hans Lindetorp
Chrissy Tignor
Paul A Novotny
Stephen Ward
Joe Bennett
Zachary Bresler
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Matt Lejman
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