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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19

Popular Events on Friday, May 17

 

#1

Welcome

#2

Coffee and registration

#3

A pedagogy for Hip-Hop production

#4

Lo-fi as Effect: High Tech Affordances for Bad Sound

#5

It's all about the Kick: The Aesthetics of the 1980's pop kick

#6

Lunch

#7

The Producer’s Vision: Creation, Form and Function

#8

Break - Refreshments

#9

Digital Warmth:The Retro in Digital

#10

Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource

#11

The performance of ‘Machine Aesthetics’

#12

Drinks/Free Time in Boston

#13

ARP Announcements

#14

Disruptive Creativity: a review of disruptive technologies used by independent music producers to predict next-generation…

#15

AI, Neural Nets and Next Generation Production Tools

#16

Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music

#17

Feedin' my controller: Re-imagining the 'phonographic' in boom-bap rap

#18

Performance music or Production Music?

#19

Producers and Computational Technology: Decisions, Recommendations and Production Intelligence

#20

What You Hear is What You Hear: Contemporary Pop Music as Minimalism

#21

In C#: Devising Research-Creation Projects in Record Production [SKYPE]

#22

The Producer as Educator

#23

Unintended Obsolecense: Reviving dead tech in Vaporwave production

#24

Algorithmic Music Scoring: An Approach to Automated Composition for Audiovisuals

#25

When is the music speaking to us? A proposed model for analyzing choices in studio practice

#26

Rebecoming Analogue: Sampling as Virtual Collaboration

#27

The urge to “clean up” the rap: Rhythm and plasticity in rap music

#28

From Nothing to Multitrack Recording in The Dominican Republic

#29

Domestic intimate space in recorded music

#30

How to turn a lacklustre performance into one that sparkles. The varied and manifold engagements of recording producers

#31

Reissuing Creativity or Creative Reissues?

#32

Remastering Myself (Collaboration)

#33

The Production of Record Art: Theorizing the Album Cover

#34

The sound engineer and his/ her role as subject of art [SKYPE]

#35

OPEN

#36

Open

#37

Music reconfigured (Hangout/Skype)