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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19

Popular Events

 

#1

Keynote - In Conversation with Ann Mincieli

#2

Welcome

#3

Coffee and registration

#4

A pedagogy for Hip-Hop production

#5

Evening performance and dinner

#6

Lo-fi as Effect: High Tech Affordances for Bad Sound

#7

Methodology Panel - Introduction by Albin Zak

#8

It's all about the Kick: The Aesthetics of the 1980's pop kick

#9

Lunch

#10

Lunch

#11

Inside Out and Outside In: how should we be discussing collaborative creativity in record production?

#12

The Producer’s Vision: Creation, Form and Function

#13

Women Produce Music: THEN and NOW

#14

Break - Refreshments

#15

Digital Warmth:The Retro in Digital

#16

Break - Refreshments

#17

Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity

#18

Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource

#19

The performance of ‘Machine Aesthetics’

#20

Drinks/Free Time in Boston

#21

ARP Announcements

#22

Coffee and registration

#23

Ableton Demo

#24

Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration

#25

Lunch

#26

Vocal Chops and its Aesthetics

#27

Disruptive Creativity: a review of disruptive technologies used by independent music producers to predict next-generation…

#28

AI, Neural Nets and Next Generation Production Tools

#29

Learning to be a ‘Tracker’: A pedagogical case study of learning collaborative music production

#30

Leadership and Motivational Styles of Master Producers

#31

Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music

#32

Feedin' my controller: Re-imagining the 'phonographic' in boom-bap rap

#33

Immersed in Pop: Rethinking Directionality in Popular Music for a Post-Stereo World

#34

Closing

#35

Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings

#36

THE MUSIC ROOM: Considerations and negotiations in the staging of a 3D immersive music experience

#37

The economic and environmental cost of recorded music

#38

What if we didn’t need metrics and empirical data

#39

Izotope Demo - New Technology in Live Performance

#40

Tour of Berklee studios and electronic music lab

#41

3D Audio for Music: An investigation into 3D sound staging and creative production for binaural reproduction

#42

Coffee

#43

Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production

#44

Performance music or Production Music?

#45

Producers and Computational Technology: Decisions, Recommendations and Production Intelligence

#46

Music Mind Map – a creative tool for music production

#47

Gendered Cotextuality in Heavy Metal Songs/Videos: The Role of the Female Guest Artist

#48

Tour of Berklee studios and electronic music lab

#49

What You Hear is What You Hear: Contemporary Pop Music as Minimalism

#50

In C#: Devising Research-Creation Projects in Record Production [SKYPE]