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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
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Popular Events
#1
Welcome
#2
Coffee and registration
#3
A pedagogy for Hip-Hop production
#4
Lo-fi as Effect: High Tech Affordances for Bad Sound
#5
It's all about the Kick: The Aesthetics of the 1980's pop kick
#6
Lunch
#7
The Producer’s Vision: Creation, Form and Function
#8
Break - Refreshments
#9
Digital Warmth:The Retro in Digital
#10
Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource
#11
The performance of ‘Machine Aesthetics’
#12
Drinks/Free Time in Boston
#13
ARP Announcements
#14
Disruptive Creativity: a review of disruptive technologies used by independent music producers to predict next-generation…
#15
AI, Neural Nets and Next Generation Production Tools
#16
Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music
#17
Feedin' my controller: Re-imagining the 'phonographic' in boom-bap rap
#18
Performance music or Production Music?
#19
Producers and Computational Technology: Decisions, Recommendations and Production Intelligence
#20
What You Hear is What You Hear: Contemporary Pop Music as Minimalism
#21
In C#: Devising Research-Creation Projects in Record Production [SKYPE]
#22
Keynote - In Conversation with Ann Mincieli
#23
Evening performance and dinner
#24
Lunch
#25
Women Produce Music: THEN and NOW
#26
Break - Refreshments
#27
Coffee and registration
#28
Ableton Demo
#29
Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration
#30
Leadership and Motivational Styles of Master Producers
#31
Immersed in Pop: Rethinking Directionality in Popular Music for a Post-Stereo World
#32
Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings
#33
THE MUSIC ROOM: Considerations and negotiations in the staging of a 3D immersive music experience
#34
The economic and environmental cost of recorded music
#35
Izotope Demo - New Technology in Live Performance
#36
Tour of Berklee studios and electronic music lab
#37
3D Audio for Music: An investigation into 3D sound staging and creative production for binaural reproduction
#38
Music Mind Map – a creative tool for music production
#39
Gendered Cotextuality in Heavy Metal Songs/Videos: The Role of the Female Guest Artist
#40
Tour of Berklee studios and electronic music lab
#41
Methodology Panel - Introduction by Albin Zak
#42
Inside Out and Outside In: how should we be discussing collaborative creativity in record production?
#43
Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity
#44
Lunch
#45
Vocal Chops and its Aesthetics
#46
Learning to be a ‘Tracker’: A pedagogical case study of learning collaborative music production
#47
Closing
#48
What if we didn’t need metrics and empirical data
#49
Coffee
#50
Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production
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