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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
avatar for Paul Thompson

Paul Thompson

Leeds Beckett University
Reader in Popular Music
United Kingdom
Paul Thompson is a professional recording engineer who has worked in the music industry for over 10 years. He is currently a Reader in Popular Music at Leeds Beckett University in the School of Film, Music and Performance Arts and his research is centred on record production, audio education, popular music learning practices, creativity and cultural production in popular music. His book 'Creativity in the Recording Studio: Alternative Takes' was published in early 2019 by Palgrave MacMillan
Friday, May 17
 

08:30 EDT

Coffee and registration The Red RoomBerklee College of Music

09:30 EDT

Welcome The Red RoomJoe Bennett

10:00 EDT

The Producer’s Vision: Creation, Form and Function Classroom 311 (3rd floor)Brendan Anthony • Nyssim Lefford

10:30 EDT

From Nothing to Multitrack Recording in The Dominican Republic Classroom 511 (5th floor)Chrissy Tignor

11:00 EDT

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30 EDT

It's all about the Kick: The Aesthetics of the 1980's pop kick Classroom 311 (3rd floor)Phil Harding • Gary Bromham

12:00 EDT

Lunch The Berklee Caf

17:30 EDT

Feedin' my controller: Re-imagining the 'phonographic' in boom-bap rap Classroom 511 (5th floor)Michail Exarchos

18:00 EDT

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

10:30 EDT

Innovation and Tradition in Metal Music Production Classroom 311 (3rd floor)Niall Thomas

11:00 EDT

Gendered Cotextuality in Heavy Metal Songs/Videos: The Role of the Female Guest Artist Classroom 311 (3rd floor)Lori Burns

11:30 EDT

Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings Classroom 311 (3rd floor)John Covach

12:00 EDT

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff

14:00 EDT

Drop-ins and multiple takes: ASARP members’ updates David Friend Recital HallLIMITEDJoe Bennett • Katia Isakoff • Shara Rambarran

14:15 EDT

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

17:00 EDT

Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration Classroom 411 (4th floor)Rob Toulson • Marques Hardin

17:30 EDT

The Mother Of Invention: Creative Commitment As A Reaction To Financial And Technological Uncertainty Classroom 311 (3rd floor)Brendan Williams THE MUSIC ROOM: Considerations and negotiations in the staging of a 3D immersive music experience Classroom 511 (5th floor)Sara McGuinness

18:00 EDT

3D Audio for Music: An investigation into 3D sound staging and creative production for binaural reproduction Classroom 511 (5th floor)Jo Lord
 
Sunday, May 19
 

10:30 EDT

Inside Out and Outside In: how should we be discussing collaborative creativity in record production? Classroom 511 (5th floor)Simon Zagorski-Thomas

11:00 EDT

Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity Classroom 511 (5th floor)Phillip McIntyre

13:00 EDT

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams

14:15 EDT

"Revolution 9": The Creation of John Lennon's Guernica Classroom 411 (4th floor)Walter Everett