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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
avatar for Niall Thomas

Niall Thomas

University of Winchester
Senior Lecturer in Music Production
United Kingdom
Friday, May 17
 

08:30 EDT

Coffee and registration The Red RoomBerklee College of Music

09:30 EDT

Welcome The Red RoomJoe Bennett

10:00 EDT

The Producer’s Vision: Creation, Form and Function Classroom 311 (3rd floor)Brendan Anthony • Nyssim Lefford

10:30 EDT

What You Hear is What You Hear: Contemporary Pop Music as Minimalism Classroom 311 (3rd floor)Anders Reuter

11:00 EDT

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30 EDT

It's all about the Kick: The Aesthetics of the 1980's pop kick Classroom 311 (3rd floor)Phil Harding • Gary Bromham

12:00 EDT

Lunch The Berklee Caf

13:00 EDT

ARP Announcements The Red RoomKatia Isakoff • Shara Rambarran

13:15 EDT

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

14:30 EDT

The Producer as Educator Classroom 311 (3rd floor)Theresa Leonard

15:00 EDT

Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource Classroom 311 (3rd floor)Kirk McNally • Paul Thompson

15:30 EDT

The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson

16:00 EDT

Break - Refreshments The Red Room

16:30 EDT

Performance music or Production Music? Classroom 311 (3rd floor)Paul A Novotny

17:00 EDT

Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music Classroom 511 (5th floor)Mike D'Errico When is the music speaking to us? A proposed model for analyzing choices in studio practice Classroom 311 (3rd floor)Andreas Waaler Røshol

17:30 EDT

Rebecoming Analogue: Sampling as Virtual Collaboration Classroom 411 (4th floor)Rowan Oliver

18:00 EDT

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

09:00 EDT

Coffee and registration The Red Room

10:00 EDT

Forged by design? - The control of a genre expected sonic signifier on collaborative creation practices within modern heavy metal Classroom 311 (3rd floor)Douglas Heath

11:00 EDT

Gendered Cotextuality in Heavy Metal Songs/Videos: The Role of the Female Guest Artist Classroom 311 (3rd floor)Lori Burns

11:30 EDT

Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings Classroom 311 (3rd floor)John Covach

12:00 EDT

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff Tour of Berklee studios and electronic music labLIMITED The Red Room

14:15 EDT

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

17:00 EDT

Immersed in Pop: Rethinking Directionality in Popular Music for a Post-Stereo World Classroom 511 (5th floor)Zachary Bresler

17:30 EDT

The Mother Of Invention: Creative Commitment As A Reaction To Financial And Technological Uncertainty Classroom 311 (3rd floor)Brendan Williams

18:00 EDT

The economic and environmental cost of recorded music Classroom 311 (3rd floor)Matt Brennan

19:00 EDT

Evening performance and dinner The Berklee CafBerklee College of Music
 
Sunday, May 19
 

10:00 EDT

Collapsing the Walls of the Recording Space - Creative Production Techniques to Enable Site-Responsive Composition Classroom 411 (4th floor)Tony Dupé

10:30 EDT

The Recording Studio as an Internationalization Tool for Afro-Colombian Music: The Role of Bogota's Independent Record Labels Classroom 311 (3rd floor)Ons Barnat

11:00 EDT

Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity Classroom 511 (5th floor)Phillip McIntyre

11:30 EDT

Placing The Sound: Intertextuality in the recording of Dutch Uncles’ Big Balloon Classroom 511 (5th floor)Jamie Birkett

13:00 EDT

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams

14:45 EDT

"You want it to sound like I don't know how to record?": negotiating conceptions of "lo-fi" authenticity in collaborative work Classroom 411 (4th floor)Ellis Jones • Patrick Hyland

15:15 EDT

Vocal Chops and its Aesthetics Classroom 411 (4th floor)Ragnhild Brøvig-Hanssen • Jon Marius Aareskjold

15:45 EDT

Closing David Friend Recital Hall