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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
avatar for Toby Seay

Toby Seay

Drexel University
PhD, Music Production Studies | Professor, Music Production | Director, Drexel Audio Archives
Philadelphia, Pennsylvania
Websitehttps://drexel.edu/westphal/about/directory/TobySeay/
Friday, May 17
 

08:30 EDT

Coffee and registration The Red RoomBerklee College of Music

09:30 EDT

Welcome The Red RoomJoe Bennett

10:00 EDT

The Producer’s Vision: Creation, Form and Function Classroom 311 (3rd floor)Brendan Anthony • Nyssim Lefford

10:30 EDT

From Nothing to Multitrack Recording in The Dominican Republic Classroom 511 (5th floor)Chrissy Tignor

11:00 EDT

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30 EDT

It's all about the Kick: The Aesthetics of the 1980's pop kick Classroom 311 (3rd floor)Phil Harding • Gary Bromham

12:00 EDT

Lunch The Berklee Caf

13:00 EDT

ARP Announcements The Red RoomKatia Isakoff • Shara Rambarran

13:15 EDT

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

14:30 EDT

Reissuing Creativity or Creative Reissues? Classroom 411 (4th floor)Andrew Flory

15:00 EDT

Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource Classroom 311 (3rd floor)Kirk McNally • Paul Thompson

15:30 EDT

The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson

16:00 EDT

Break - Refreshments The Red Room

16:30 EDT

Digital Warmth:The Retro in Digital Classroom 511 (5th floor)Gary Bromham • David Moffat • Anne Danielsen • Gyorgy Fazekas

17:00 EDT

Domestic intimate space in recorded music Classroom 411 (4th floor)Emil Kraugerud

17:30 EDT

Producers and Computational Technology: Decisions, Recommendations and Production Intelligence Classroom 311 (3rd floor)Nyssim Lefford

18:00 EDT

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

09:00 EDT

Coffee and registration The Red Room

10:00 EDT

Forged by design? - The control of a genre expected sonic signifier on collaborative creation practices within modern heavy metal Classroom 311 (3rd floor)Douglas Heath

10:30 EDT

Innovation and Tradition in Metal Music Production Classroom 311 (3rd floor)Niall Thomas

11:00 EDT

Gendered Cotextuality in Heavy Metal Songs/Videos: The Role of the Female Guest Artist Classroom 311 (3rd floor)Lori Burns

11:30 EDT

Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings Classroom 311 (3rd floor)John Covach

12:00 EDT

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff

13:00 EDT

Lunch The Berklee Caf

14:00 EDT

Drop-ins and multiple takes: ASARP members’ updatesLIMITED David Friend Recital HallJoe Bennett • Katia Isakoff • Shara Rambarran

14:15 EDT

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

15:30 EDT

Ableton Demo David Friend Recital Hall

16:30 EDT

Break - Refreshments David Friend Recital Hall

17:00 EDT

Immersed in Pop: Rethinking Directionality in Popular Music for a Post-Stereo World Classroom 511 (5th floor)Zachary Bresler

17:30 EDT

THE MUSIC ROOM: Considerations and negotiations in the staging of a 3D immersive music experience Classroom 511 (5th floor)Sara McGuinness

18:00 EDT

3D Audio for Music: An investigation into 3D sound staging and creative production for binaural reproduction Classroom 511 (5th floor)Jo Lord

19:00 EDT

Evening performance and dinner The Berklee CafBerklee College of Music
 
Sunday, May 19
 

09:30 EDT

Coffee David Friend Recital Hall

10:00 EDT

What if we didn’t need metrics and empirical data Classroom 511 (5th floor)Chris Whiting

10:30 EDT

Inside Out and Outside In: how should we be discussing collaborative creativity in record production? Classroom 511 (5th floor)Simon Zagorski-Thomas

11:00 EDT

Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity Classroom 511 (5th floor)Phillip McIntyre

11:30 EDT

Learning to be a ‘Tracker’: A pedagogical case study of learning collaborative music production Classroom 411 (4th floor)Brendan Anthony • Paul Thompson • Tuomas Auvinen

12:00 EDT

Lunch The Berklee Caf

13:00 EDT

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams

14:15 EDT

Sectional Surrealism: A practice-base investigation into choir recording techniques for the independent film composer Classroom 311 (3rd floor)Claire Benedict

14:45 EDT

An Observation of Sentence Timbre Classroom 311 (3rd floor)Tian Hao • Xuefeng Zhou

15:15 EDT

Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production Classroom 311 (3rd floor)Bjørnar Sandvik

15:45 EDT

Closing David Friend Recital Hall