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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
avatar for Jeff Wragg

Jeff Wragg

Southern Institute of Technology
New Zealand
Friday, May 17
 

08:30

Coffee and registration The Red RoomBerklee College of Music

09:30

Welcome The Red RoomJoe Bennett

10:00

The Producer’s Vision: Creation, Form and Function Classroom 311 (3rd floor)Brendan Anthony • Nyssim Lefford

10:30

Disruptive Creativity: a review of disruptive technologies used by independent music producers to predict next-generation… Classroom 411 (4th floor)Doug Bielmeier

11:00

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30

OPEN Classroom 411 (4th floor) Open Classroom 511 (5th floor)

12:00

Lunch The Berklee Caf

13:15

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

14:30

The Producer as Educator Classroom 311 (3rd floor)Theresa Leonard

15:00

Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource Classroom 311 (3rd floor)Kirk McNally • Paul Thompson

15:30

In C#: Devising Research-Creation Projects in Record Production [SKYPE] Classroom 411 (4th floor)Serge Lacasse • Sophie Stévance

16:00

Break - Refreshments The Red Room

16:30

Performance music or Production Music? Classroom 311 (3rd floor)Paul A Novotny

17:30

Feedin' my controller: Re-imagining the 'phonographic' in boom-bap rap Classroom 511 (5th floor)Michail Exarchos

18:00

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

09:00

Coffee and registration The Red Room

10:00

Leadership and Motivational Styles of Master Producers Classroom 411 (4th floor)Dave Tough • Alan Shacklock

10:30

Nonlinear Mixing Classroom 511 (5th floor)Hairul Hafizi bin Hasnan

11:00

Izotope Demo - New Technology in Live Performance Classroom 411 (4th floor)

11:30

Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings Classroom 311 (3rd floor)John Covach

12:00

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff

13:00

Lunch The Berklee Caf

14:15

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

15:30

Ableton Demo David Friend Recital Hall

16:30

Break - Refreshments David Friend Recital Hall

17:00

Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration Classroom 411 (4th floor)Rob Toulson • Marques Hardin

17:30

The Mother Of Invention: Creative Commitment As A Reaction To Financial And Technological Uncertainty Classroom 311 (3rd floor)Brendan Williams

18:00

3D Audio for Music: An investigation into 3D sound staging and creative production for binaural reproduction Classroom 511 (5th floor)Jo Lord
 
Sunday, May 19
 

10:00

Collapsing the Walls of the Recording Space - Creative Production Techniques to Enable Site-Responsive Composition Classroom 411 (4th floor)Tony Dupé What if we didn’t need metrics and empirical data Classroom 511 (5th floor)Chris Whiting

10:30

Analysis of piano accent and its application in Teaching Classroom 411 (4th floor)Wang Yuxiling • Xuefeng Zhou

11:00

Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity Classroom 511 (5th floor)Phillip McIntyre

13:00

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams

14:15

Autosonic Self-quotation:exploring the benefits of sampling while retaining authorial agency Classroom 511 (5th floor)Jeff Wragg

14:45

Sampling creativity: Copyright and the commons Classroom 511 (5th floor)Adam Behr