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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
JB

Jamie Birkett

University Of Salford
United Kingdom
Friday, May 17
 

08:30 EDT

Coffee and registration The Red RoomBerklee College of Music

09:30 EDT

Welcome The Red RoomJoe Bennett

10:00 EDT

The Producer’s Vision: Creation, Form and Function Classroom 311 (3rd floor)Brendan Anthony • Nyssim Lefford

10:30 EDT

What You Hear is What You Hear: Contemporary Pop Music as Minimalism Classroom 311 (3rd floor)Anders Reuter

11:00 EDT

Unintended Obsolecense: Reviving dead tech in Vaporwave production Classroom 511 (5th floor)Pippin Bongiovanni Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

12:00 EDT

Lunch The Berklee Caf

13:15 EDT

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

14:30 EDT

AI, Neural Nets and Next Generation Production Tools Classroom 511 (5th floor)Jonathan Wyner

15:00 EDT

Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource Classroom 311 (3rd floor)Kirk McNally • Paul Thompson

15:30 EDT

The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson

16:00 EDT

Break - Refreshments The Red Room

16:30 EDT

Digital Warmth:The Retro in Digital Classroom 511 (5th floor)Gary Bromham • David Moffat • Anne Danielsen • Gyorgy Fazekas

17:00 EDT

When is the music speaking to us? A proposed model for analyzing choices in studio practice Classroom 311 (3rd floor)Andreas Waaler Røshol

17:30 EDT

Rebecoming Analogue: Sampling as Virtual Collaboration Classroom 411 (4th floor)Rowan Oliver

18:00 EDT

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

09:00 EDT

Coffee and registration The Red Room

10:00 EDT

Music Mind Map – a creative tool for music production Classroom 511 (5th floor)Hans Lindetorp

10:30 EDT

Innovation and Tradition in Metal Music Production Classroom 311 (3rd floor)Niall Thomas

11:00 EDT

Conduits of Creation: The Role of the Synthesizer in Brian Eno’s Discreet Music Classroom 511 (5th floor)Dr Neil O Connor

11:30 EDT

The Controller as an Agent of Unpredictability: Electronic Music, 60’s Counterculture, and the Early Live Sound Industry Classroom 511 (5th floor)Nicholas Clark Reeder

12:00 EDT

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff

13:00 EDT

Lunch The Berklee Caf

14:15 EDT

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

15:30 EDT

Ableton Demo David Friend Recital Hall Tour of Berklee studios and electronic music labFILLING The Red Room

16:30 EDT

Break - Refreshments David Friend Recital Hall

17:00 EDT

Immersed in Pop: Rethinking Directionality in Popular Music for a Post-Stereo World Classroom 511 (5th floor)Zachary Bresler

17:30 EDT

The Mother Of Invention: Creative Commitment As A Reaction To Financial And Technological Uncertainty Classroom 311 (3rd floor)Brendan Williams

18:00 EDT

The economic and environmental cost of recorded music Classroom 311 (3rd floor)Matt Brennan

19:00 EDT

Evening performance and dinner The Berklee CafBerklee College of Music
 
Sunday, May 19
 

09:30 EDT

Coffee David Friend Recital Hall

10:30 EDT

Inside Out and Outside In: how should we be discussing collaborative creativity in record production? Classroom 511 (5th floor)Simon Zagorski-Thomas

11:00 EDT

Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity Classroom 511 (5th floor)Phillip McIntyre

11:30 EDT

Placing The Sound: Intertextuality in the recording of Dutch Uncles’ Big Balloon Classroom 511 (5th floor)Jamie Birkett

12:00 EDT

Lunch The Berklee Caf

13:00 EDT

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams