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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
avatar for Emil Kraugerud

Emil Kraugerud

University of Oslo
PhD fellow
Norway
Websitepeople.uio.no/emilkr
Friday, May 17
 

08:30 EDT

Coffee and registration The Red RoomBerklee College of Music

09:30 EDT

Welcome The Red RoomJoe Bennett

10:00 EDT

The urge to “clean up” the rap: Rhythm and plasticity in rap music Classroom 511 (5th floor)Kjell Andreas Oddekalv

11:00 EDT

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30 EDT

It's all about the Kick: The Aesthetics of the 1980's pop kick Classroom 311 (3rd floor)Phil Harding • Gary Bromham

12:00 EDT

Lunch The Berklee Caf

13:15 EDT

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

14:30 EDT

The Producer as Educator Classroom 311 (3rd floor)Theresa Leonard

15:00 EDT

Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource Classroom 311 (3rd floor)Kirk McNally • Paul Thompson

15:30 EDT

In C#: Devising Research-Creation Projects in Record Production [SKYPE] Classroom 411 (4th floor)Serge Lacasse • Sophie Stévance The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson The Production of Record Art: Theorizing the Album Cover Classroom 311 (3rd floor)Mikkel Vad

16:00 EDT

Break - Refreshments The Red Room

16:30 EDT

Music reconfigured (Hangout/Skype) Classroom 411 (4th floor)Sylvain Martet • Anouk Bélanger • Martin Lussier

17:00 EDT

Domestic intimate space in recorded music Classroom 411 (4th floor)Emil Kraugerud

17:30 EDT

Rebecoming Analogue: Sampling as Virtual Collaboration Classroom 411 (4th floor)Rowan Oliver

18:00 EDT

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

09:00 EDT

Coffee and registration The Red Room

10:00 EDT

Leadership and Motivational Styles of Master Producers Classroom 411 (4th floor)Dave Tough • Alan Shacklock

10:30 EDT

Searching for Sophia in Music Production Education Classroom 411 (4th floor)David Thyrén • J-O Gullö • Per-Henrik Holgersson • Bo Westman

11:00 EDT

Gendered Cotextuality in Heavy Metal Songs/Videos: The Role of the Female Guest Artist Classroom 311 (3rd floor)Lori Burns

11:30 EDT

Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings Classroom 311 (3rd floor)John Covach

12:00 EDT

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff

13:00 EDT

Lunch The Berklee Caf

14:00 EDT

Drop-ins and multiple takes: ASARP members’ updatesLIMITED David Friend Recital HallJoe Bennett • Katia Isakoff • Shara Rambarran

14:15 EDT

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

15:30 EDT

Tour of Berklee studios and electronic music labFILLING The Red Room

16:30 EDT

Break - Refreshments David Friend Recital Hall

17:00 EDT

Immersed in Pop: Rethinking Directionality in Popular Music for a Post-Stereo World Classroom 511 (5th floor)Zachary Bresler

17:30 EDT

Cue-mix, collaboration and the collective performance Classroom 411 (4th floor)Claus Sohn Andersen THE MUSIC ROOM: Considerations and negotiations in the staging of a 3D immersive music experience Classroom 511 (5th floor)Sara McGuinness

18:00 EDT

The economic and environmental cost of recorded music Classroom 311 (3rd floor)Matt Brennan

19:00 EDT

Evening performance and dinner The Berklee CafBerklee College of Music
 
Sunday, May 19
 

09:30 EDT

Coffee David Friend Recital Hall

10:00 EDT

Collapsing the Walls of the Recording Space - Creative Production Techniques to Enable Site-Responsive Composition Classroom 411 (4th floor)Tony Dupé

10:30 EDT

The Recording Studio as an Internationalization Tool for Afro-Colombian Music: The Role of Bogota's Independent Record Labels Classroom 311 (3rd floor)Ons Barnat

11:00 EDT

Spaces and Agents of the Record Production Process in Spain: analysis of the Vinader sound in Julio Iglesias’ first recordings… Classroom 311 (3rd floor)

11:30 EDT

Learning to be a ‘Tracker’: A pedagogical case study of learning collaborative music production Classroom 411 (4th floor)Brendan Anthony • Paul Thompson • Tuomas Auvinen

12:00 EDT

Lunch The Berklee Caf

13:00 EDT

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams

14:15 EDT

"Revolution 9": The Creation of John Lennon's Guernica Classroom 411 (4th floor)Walter Everett

14:45 EDT

"You want it to sound like I don't know how to record?": negotiating conceptions of "lo-fi" authenticity in collaborative work Classroom 411 (4th floor)Ellis Jones • Patrick Hyland

15:15 EDT

Vocal Chops and its Aesthetics Classroom 411 (4th floor)Ragnhild Brøvig-Hanssen • Jon Marius Aareskjold Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production Classroom 311 (3rd floor)Bjørnar Sandvik

15:45 EDT

Closing David Friend Recital Hall