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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
avatar for Chris Whiting

Chris Whiting

Newcastle University
Newcastle upon Tyne
Friday, May 17
 

08:30 EDT

Coffee and registration The Red RoomBerklee College of Music

09:30 EDT

Welcome The Red RoomJoe Bennett

10:00 EDT

The Producer’s Vision: Creation, Form and Function Classroom 311 (3rd floor)Brendan Anthony • Nyssim Lefford

10:30 EDT

What You Hear is What You Hear: Contemporary Pop Music as Minimalism Classroom 311 (3rd floor)Anders Reuter

11:00 EDT

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30 EDT

OPEN Classroom 411 (4th floor) It's all about the Kick: The Aesthetics of the 1980's pop kick Classroom 311 (3rd floor)Phil Harding • Gary Bromham

12:00 EDT

Lunch The Berklee Caf

13:00 EDT

ARP Announcements The Red RoomKatia Isakoff • Shara Rambarran

14:30 EDT

AI, Neural Nets and Next Generation Production Tools Classroom 511 (5th floor)Jonathan Wyner

15:00 EDT

Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource Classroom 311 (3rd floor)Kirk McNally • Paul Thompson

15:30 EDT

The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson

16:00 EDT

Break - Refreshments The Red Room

16:30 EDT

Performance music or Production Music? Classroom 311 (3rd floor)Paul A Novotny

17:00 EDT

When is the music speaking to us? A proposed model for analyzing choices in studio practice Classroom 311 (3rd floor)Andreas Waaler Røshol

17:30 EDT

Rebecoming Analogue: Sampling as Virtual Collaboration Classroom 411 (4th floor)Rowan Oliver

18:00 EDT

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

09:00 EDT

Coffee and registration The Red Room

10:00 EDT

Music Mind Map – a creative tool for music production Classroom 511 (5th floor)Hans Lindetorp

10:30 EDT

Nonlinear Mixing Classroom 511 (5th floor)Hairul Hafizi bin Hasnan

11:00 EDT

Conduits of Creation: The Role of the Synthesizer in Brian Eno’s Discreet Music Classroom 511 (5th floor)Dr Neil O Connor

11:30 EDT

Izotope Demo, cont. Classroom 411 (4th floor)

12:00 EDT

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff

13:00 EDT

Lunch The Berklee Caf

14:15 EDT

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

15:30 EDT

Ableton Demo David Friend Recital Hall Tour of Berklee studios and electronic music labFILLING The Red Room

16:30 EDT

Break - Refreshments David Friend Recital Hall

17:00 EDT

Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration Classroom 411 (4th floor)Rob Toulson • Marques Hardin Immersed in Pop: Rethinking Directionality in Popular Music for a Post-Stereo World Classroom 511 (5th floor)Zachary Bresler

17:30 EDT

The Mother Of Invention: Creative Commitment As A Reaction To Financial And Technological Uncertainty Classroom 311 (3rd floor)Brendan Williams

18:00 EDT

Transnational Flow: Experiments in Long Distance Non-Synchronous Networked Collaboration Classroom 411 (4th floor)Daniel Pratt • Instructor, Wellington Gordon • Shane Hoose • Lachlan Goold 3D Audio for Music: An investigation into 3D sound staging and creative production for binaural reproduction Classroom 511 (5th floor)Jo Lord The economic and environmental cost of recorded music Classroom 311 (3rd floor)Matt Brennan

19:00 EDT

Evening performance and dinner The Berklee CafBerklee College of Music
 
Sunday, May 19
 

09:30 EDT

Coffee David Friend Recital Hall

10:00 EDT

Collapsing the Walls of the Recording Space - Creative Production Techniques to Enable Site-Responsive Composition Classroom 411 (4th floor)Tony Dupé What if we didn’t need metrics and empirical data Classroom 511 (5th floor)Chris Whiting

10:30 EDT

Inside Out and Outside In: how should we be discussing collaborative creativity in record production? Classroom 511 (5th floor)Simon Zagorski-Thomas

11:00 EDT

Network Timed Ensembles: Musical Performance and Composition in the Interconnections of Apps and Devices Classroom 411 (4th floor)Eve Klein Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity Classroom 511 (5th floor)Phillip McIntyre

11:30 EDT

Learning to be a ‘Tracker’: A pedagogical case study of learning collaborative music production Classroom 411 (4th floor)Brendan Anthony • Paul Thompson • Tuomas Auvinen

12:00 EDT

Lunch The Berklee Caf

13:00 EDT

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams

14:45 EDT

An Observation of Sentence Timbre Classroom 311 (3rd floor)Tian Hao • Xuefeng Zhou Sampling creativity: Copyright and the commons Classroom 511 (5th floor)Adam Behr

15:15 EDT

Vocal Chops and its Aesthetics Classroom 411 (4th floor)Ragnhild Brøvig-Hanssen • Jon Marius Aareskjold

15:45 EDT

Closing David Friend Recital Hall