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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
avatar for Alex Stevenson

Alex Stevenson

Leeds Beckett University
Course Director
United Kingdom
Friday, May 17
 

08:30 EDT

Coffee and registration The Red RoomBerklee College of Music

10:30 EDT

Disruptive Creativity: a review of disruptive technologies used by independent music producers to predict next-generation… Classroom 411 (4th floor)Doug Bielmeier

11:00 EDT

Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30 EDT

It's all about the Kick: The Aesthetics of the 1980's pop kick Classroom 311 (3rd floor)Phil Harding • Gary Bromham

12:00 EDT

Lunch The Berklee Caf

13:15 EDT

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

14:30 EDT

AI, Neural Nets and Next Generation Production Tools Classroom 511 (5th floor)Jonathan Wyner

15:00 EDT

Algorithmic Music Scoring: An Approach to Automated Composition for Audiovisuals Classroom 511 (5th floor)Alvaro Lopez

15:30 EDT

The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson

16:00 EDT

Break - Refreshments The Red Room

16:30 EDT

Performance music or Production Music? Classroom 311 (3rd floor)Paul A Novotny

17:00 EDT

Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music Classroom 511 (5th floor)Mike D'Errico

17:30 EDT

Feedin' my controller: Re-imagining the 'phonographic' in boom-bap rap Classroom 511 (5th floor)Michail Exarchos

18:00 EDT

Drinks/Free Time in Boston www.dillonsboston.com
 
Saturday, May 18
 

09:00 EDT

Coffee and registration The Red Room

10:00 EDT

Leadership and Motivational Styles of Master Producers Classroom 411 (4th floor)Dave Tough • Alan Shacklock

10:30 EDT

Innovation and Tradition in Metal Music Production Classroom 311 (3rd floor)Niall Thomas

11:00 EDT

Izotope Demo - New Technology in Live Performance Classroom 411 (4th floor)

11:30 EDT

Textural Stratification, The Rise of Multitrack, and Yes’ Classic Recordings Classroom 311 (3rd floor)John Covach

12:00 EDT

Keynote - In Conversation with Ann Mincieli David Friend Recital HallAnn Mincieli • Katia Isakoff

13:00 EDT

Lunch The Berklee Caf

14:15 EDT

Women Produce Music: THEN and NOW David Friend Recital HallKatia Isakoff • Theresa Leonard • Darla Hanley • Susan Schmidt-Horning

15:30 EDT

Tour of Berklee studios and electronic music labFILLING The Red Room

16:30 EDT

Break - Refreshments David Friend Recital Hall

17:00 EDT

Development and Evaluation of Internet of Things Technologies for Music Production and Creative Collaboration Classroom 411 (4th floor)Rob Toulson • Marques Hardin

17:30 EDT

The Mother Of Invention: Creative Commitment As A Reaction To Financial And Technological Uncertainty Classroom 311 (3rd floor)Brendan Williams

18:00 EDT

3D Audio for Music: An investigation into 3D sound staging and creative production for binaural reproduction Classroom 511 (5th floor)Jo Lord The economic and environmental cost of recorded music Classroom 311 (3rd floor)Matt Brennan

19:00 EDT

Evening performance and dinner The Berklee CafBerklee College of Music
 
Sunday, May 19
 

09:30 EDT

Coffee David Friend Recital Hall

10:00 EDT

What if we didn’t need metrics and empirical data Classroom 511 (5th floor)Chris Whiting

10:30 EDT

Inside Out and Outside In: how should we be discussing collaborative creativity in record production? Classroom 511 (5th floor)Simon Zagorski-Thomas

11:00 EDT

Network Timed Ensembles: Musical Performance and Composition in the Interconnections of Apps and Devices Classroom 411 (4th floor)Eve Klein

11:30 EDT

Learning to be a ‘Tracker’: A pedagogical case study of learning collaborative music production Classroom 411 (4th floor)Brendan Anthony • Paul Thompson • Tuomas Auvinen

12:00 EDT

Lunch The Berklee Caf

13:00 EDT

Methodology Panel - Introduction by Albin Zak David Friend Recital HallAlbin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams

15:15 EDT

Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production Classroom 311 (3rd floor)Bjørnar Sandvik