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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
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Sunday
, May 19
09:30 EDT
Coffee
David Friend Recital Hall
10:00 EDT
Collapsing the Walls of the Recording Space - Creative Production Techniques to Enable Site-Responsive Composition
Classroom 411 (4th floor)
Tony Dupé
The audio technology and its influence on the rise of Colombian tropical music in the 60s and 70s…
Classroom 311 (3rd floor)
Carlos Caballero
What if we didn’t need metrics and empirical data
Classroom 511 (5th floor)
Chris Whiting
10:30 EDT
Analysis of piano accent and its application in Teaching
Classroom 411 (4th floor)
Wang Yuxiling • Xuefeng Zhou
Inside Out and Outside In: how should we be discussing collaborative creativity in record production?
Classroom 511 (5th floor)
Simon Zagorski-Thomas
The Recording Studio as an Internationalization Tool for Afro-Colombian Music: The Role of Bogota's Independent Record Labels
Classroom 311 (3rd floor)
Ons Barnat
11:00 EDT
Network Timed Ensembles: Musical Performance and Composition in the Interconnections of Apps and Devices
Classroom 411 (4th floor)
Eve Klein
Defining Creativity in Record Production: What the Authoritative, Well-Reasoned, Empirically Grounded Research into Creativity
Classroom 511 (5th floor)
Phillip McIntyre
Spaces and Agents of the Record Production Process in Spain: analysis of the Vinader sound in Julio Iglesias’ first recordings…
Classroom 311 (3rd floor)
11:30 EDT
Learning to be a ‘Tracker’: A pedagogical case study of learning collaborative music production
Classroom 411 (4th floor)
Brendan Anthony • Paul Thompson • Tuomas Auvinen
Placing The Sound: Intertextuality in the recording of Dutch Uncles’ Big Balloon
Classroom 511 (5th floor)
Jamie Birkett
“Whose line is it anyway?”: Artists, producer, and collaborative creativity in classical recording
Classroom 311 (3rd floor)
Stephen Johns
12:00 EDT
Lunch
The Berklee Caf
13:00 EDT
Methodology Panel - Introduction by Albin Zak
David Friend Recital Hall
Albin Zak • Ragnhild Brøvig-Hanssen • Nyssim Lefford • Catherine Provenzano • Paul Théberge • Alan Williams
14:15 EDT
"Revolution 9": The Creation of John Lennon's Guernica
Classroom 411 (4th floor)
Walter Everett
Autosonic Self-quotation:exploring the benefits of sampling while retaining authorial agency
Classroom 511 (5th floor)
Jeff Wragg
Sectional Surrealism: A practice-base investigation into choir recording techniques for the independent film composer
Classroom 311 (3rd floor)
Claire Benedict
14:45 EDT
"You want it to sound like I don't know how to record?": negotiating conceptions of "lo-fi" authenticity in collaborative work
Classroom 411 (4th floor)
Ellis Jones • Patrick Hyland
An Observation of Sentence Timbre
Classroom 311 (3rd floor)
Tian Hao • Xuefeng Zhou
Sampling creativity: Copyright and the commons
Classroom 511 (5th floor)
Adam Behr
15:15 EDT
Vocal Chops and its Aesthetics
Classroom 411 (4th floor)
Ragnhild Brøvig-Hanssen • Jon Marius Aareskjold
Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production
Classroom 311 (3rd floor)
Bjørnar Sandvik
New Music, New Wave, New Age: Genre Discourse in Laurie Anderson’s Big Science
Classroom 511 (5th floor)
S. Alexander Reed
15:45 EDT
Closing
David Friend Recital Hall
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Art of Record Production 2019
America/New York
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Art of Record Production 2019
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921 Boylston Street, Boston, MA 02115, USA
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David Friend Recital Hall
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www.dillonsboston.com
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