Art of Record Production 2019 has ended

Create Your Own Event

Art of Record Production 2019

Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19

arrow_back View All Dates

08:30 EDT

Coffee and registration The Red RoomBerklee College of Music

09:30 EDT

Welcome The Red RoomJoe Bennett

10:00 EDT

How to turn a lacklustre performance into one that sparkles. The varied and manifold engagements of recording producers Classroom 411 (4th floor)Martha de Francisco The urge to “clean up” the rap: Rhythm and plasticity in rap music Classroom 511 (5th floor)Kjell Andreas Oddekalv The Producer’s Vision: Creation, Form and Function Classroom 311 (3rd floor)Brendan Anthony • Nyssim Lefford

10:30 EDT

Disruptive Creativity: a review of disruptive technologies used by independent music producers to predict next-generation… Classroom 411 (4th floor)Doug Bielmeier From Nothing to Multitrack Recording in The Dominican Republic Classroom 511 (5th floor)Chrissy Tignor What You Hear is What You Hear: Contemporary Pop Music as Minimalism Classroom 311 (3rd floor)Anders Reuter

11:00 EDT

The sound engineer and his/ her role as subject of art [SKYPE] Classroom 411 (4th floor)Juan Pablo Castillo Croes Unintended Obsolecense: Reviving dead tech in Vaporwave production Classroom 511 (5th floor)Pippin Bongiovanni Lo-fi as Effect: High Tech Affordances for Bad Sound Classroom 311 (3rd floor)Elizabeth Newton

11:30 EDT

OPEN Classroom 411 (4th floor) Open Classroom 511 (5th floor) It's all about the Kick: The Aesthetics of the 1980's pop kick Classroom 311 (3rd floor)Phil Harding • Gary Bromham

12:00 EDT

Lunch The Berklee Caf

13:00 EDT

ARP Announcements The Red RoomKatia Isakoff • Shara Rambarran

13:15 EDT

A pedagogy for Hip-Hop production The Red RoomPrince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes

14:30 EDT

Reissuing Creativity or Creative Reissues? Classroom 411 (4th floor)Andrew Flory AI, Neural Nets and Next Generation Production Tools Classroom 511 (5th floor)Jonathan Wyner The Producer as Educator Classroom 311 (3rd floor)Theresa Leonard

15:00 EDT

Remastering Myself (Collaboration) Classroom 411 (4th floor)Stephen Bruel Algorithmic Music Scoring: An Approach to Automated Composition for Audiovisuals Classroom 511 (5th floor)Alvaro Lopez Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource Classroom 311 (3rd floor)Kirk McNally • Paul Thompson

15:30 EDT

In C#: Devising Research-Creation Projects in Record Production [SKYPE] Classroom 411 (4th floor)Serge Lacasse • Sophie Stévance The performance of ‘Machine Aesthetics’ Classroom 511 (5th floor)Alex Stevenson The Production of Record Art: Theorizing the Album Cover Classroom 311 (3rd floor)Mikkel Vad

16:00 EDT

Break - Refreshments The Red Room

16:30 EDT

Music reconfigured (Hangout/Skype) Classroom 411 (4th floor)Sylvain Martet • Anouk Bélanger • Martin Lussier Digital Warmth:The Retro in Digital Classroom 511 (5th floor)Gary Bromham • David Moffat • Anne Danielsen • Gyorgy Fazekas Performance music or Production Music? Classroom 311 (3rd floor)Paul A Novotny

17:00 EDT

Domestic intimate space in recorded music Classroom 411 (4th floor)Emil Kraugerud Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music Classroom 511 (5th floor)Mike D'Errico When is the music speaking to us? A proposed model for analyzing choices in studio practice Classroom 311 (3rd floor)Andreas Waaler Røshol

17:30 EDT

Rebecoming Analogue: Sampling as Virtual Collaboration Classroom 411 (4th floor)Rowan Oliver Feedin' my controller: Re-imagining the 'phonographic' in boom-bap rap Classroom 511 (5th floor)Michail Exarchos Producers and Computational Technology: Decisions, Recommendations and Production Intelligence Classroom 311 (3rd floor)Nyssim Lefford

18:00 EDT

Drinks/Free Time in Boston www.dillonsboston.com