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Art of Record Production Conference
May 17-19, 2019
Berklee College of Music, 921 Boylston Street, Boston, MA 02215
berklee.edu/arp19
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Friday
, May 17
08:30 EDT
Coffee and registration
The Red Room
Berklee College of Music
09:30 EDT
Welcome
The Red Room
Joe Bennett
10:00 EDT
How to turn a lacklustre performance into one that sparkles. The varied and manifold engagements of recording producers
Classroom 411 (4th floor)
Martha de Francisco
The urge to “clean up” the rap: Rhythm and plasticity in rap music
Classroom 511 (5th floor)
Kjell Andreas Oddekalv
The Producer’s Vision: Creation, Form and Function
Classroom 311 (3rd floor)
Brendan Anthony • Nyssim Lefford
10:30 EDT
Disruptive Creativity: a review of disruptive technologies used by independent music producers to predict next-generation…
Classroom 411 (4th floor)
Doug Bielmeier
From Nothing to Multitrack Recording in The Dominican Republic
Classroom 511 (5th floor)
Chrissy Tignor
What You Hear is What You Hear: Contemporary Pop Music as Minimalism
Classroom 311 (3rd floor)
Anders Reuter
11:00 EDT
The sound engineer and his/ her role as subject of art [SKYPE]
Classroom 411 (4th floor)
Juan Pablo Castillo Croes
Unintended Obsolecense: Reviving dead tech in Vaporwave production
Classroom 511 (5th floor)
Pippin Bongiovanni
Lo-fi as Effect: High Tech Affordances for Bad Sound
Classroom 311 (3rd floor)
Elizabeth Newton
11:30 EDT
OPEN
Classroom 411 (4th floor)
Open
Classroom 511 (5th floor)
It's all about the Kick: The Aesthetics of the 1980's pop kick
Classroom 311 (3rd floor)
Phil Harding • Gary Bromham
12:00 EDT
Lunch
The Berklee Caf
13:00 EDT
ARP Announcements
The Red Room
Katia Isakoff • Shara Rambarran
13:15 EDT
A pedagogy for Hip-Hop production
The Red Room
Prince Charles Alexander • Jarritt Ahmed Sheel • Jason Stokes
14:30 EDT
Reissuing Creativity or Creative Reissues?
Classroom 411 (4th floor)
Andrew Flory
AI, Neural Nets and Next Generation Production Tools
Classroom 511 (5th floor)
Jonathan Wyner
The Producer as Educator
Classroom 311 (3rd floor)
Theresa Leonard
15:00 EDT
Remastering Myself (Collaboration)
Classroom 411 (4th floor)
Stephen Bruel
Algorithmic Music Scoring: An Approach to Automated Composition for Audiovisuals
Classroom 511 (5th floor)
Alvaro Lopez
Take Two: Multitrack Audio as a Musical, Cultural and Pedagogical Resource
Classroom 311 (3rd floor)
Kirk McNally • Paul Thompson
15:30 EDT
In C#: Devising Research-Creation Projects in Record Production [SKYPE]
Classroom 411 (4th floor)
Serge Lacasse • Sophie Stévance
The performance of ‘Machine Aesthetics’
Classroom 511 (5th floor)
Alex Stevenson
The Production of Record Art: Theorizing the Album Cover
Classroom 311 (3rd floor)
Mikkel Vad
16:00 EDT
Break - Refreshments
The Red Room
16:30 EDT
Music reconfigured (Hangout/Skype)
Classroom 411 (4th floor)
Sylvain Martet • Anouk Bélanger • Martin Lussier
Digital Warmth:The Retro in Digital
Classroom 511 (5th floor)
Gary Bromham • David Moffat • Anne Danielsen • Gyorgy Fazekas
Performance music or Production Music?
Classroom 311 (3rd floor)
Paul A Novotny
17:00 EDT
Domestic intimate space in recorded music
Classroom 411 (4th floor)
Emil Kraugerud
Controller Cultures: Technologies of Play in Hip-Hop and Electronic Dance Music
Classroom 511 (5th floor)
Mike D'Errico
When is the music speaking to us? A proposed model for analyzing choices in studio practice
Classroom 311 (3rd floor)
Andreas Waaler Røshol
17:30 EDT
Rebecoming Analogue: Sampling as Virtual Collaboration
Classroom 411 (4th floor)
Rowan Oliver
Feedin' my controller: Re-imagining the 'phonographic' in boom-bap rap
Classroom 511 (5th floor)
Michail Exarchos
Producers and Computational Technology: Decisions, Recommendations and Production Intelligence
Classroom 311 (3rd floor)
Nyssim Lefford
18:00 EDT
Drinks/Free Time in Boston
www.dillonsboston.com
Timezone
Art of Record Production 2019
America/New York
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Classroom 311 (3rd floor)
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Classroom 311 (3rd floor)
Classroom 411 (4th floor)
Classroom 511 (5th floor)
David Friend Recital Hall
The Berklee Caf
The Red Room
www.dillonsboston.com
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